Literature And The Writing Process 11th Edition

Table of contents for Literature and the writing process / Elizabeth McMahan, Susan X Day, Robert Funk.

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CONTENTS Contents by Genre Thematic Table of Contents Preface PART ONE Composing: An Overview Chapter 1 The Prewriting Process Reading for Writing James Joyce, ?Eveline? Who Are My Readers? Analyze the Audience Prewriting Exercise Why Am I Writing? Reasons for Writing Prewriting Exercise What Ideas Should I Use? Reading and Thinking Critically Discovering and Developing Ideas Self-Questioning Directed Freewriting Problem Solving Figure 1-1 Directed Freewriting Clustering What Point Should I Make? Figure 1-2 Clustering Relate a Part to the Whole How Do I Find the Theme? Stating the Thesis Chapter 2 The Writing Process How Should I Organize My Ideas? Arguing Your Interpretation The Elements of Good Argument Building an Effective Argument Arranging the Ideas Chart 2-1 Checklist for Arguing an Interpretation Developing with Details Questions for Consideration Maintaining a Critical Focus Distinguishing Critical Comments from Plot Details How Should I Begin? Postpone If Nothing Comes Write an Appealing Opening State the Thesis How Should I End? Relate the Discussion to Theme Postpone or Write Ahead Write an Emphatic Final Sentence Composing the First Draft Pausing to Rescan Quoting from Your Sources Sample Student Paper: First Draft Suggestions for Writing Ideas for Writing Ideas for Responsive Writing Ideas for Critical Writing Chapter 3 The Rewriting Process What Is Revision? Getting Feedback: Peer Review Revising in Peer Groups Chart 3-1 Peer Evaluation Checklist for Revision What Should I Add or Take Out? Outlining After the First Draft Making the Outline Checking the Outline Sample After-Writing Outline Examining the Sample Outline Outlining Exercise What Should I Rearrange? Does It Flow? What Is Editing? What Sentences Should I Combine? Chart 3-2 Transitional Terms for All Occasions Chart 3-3 Revising Checklist Combining for Conciseness Sentence Combining Exercise Rearranging for Emphasis and Variety Varying the Pattern Exercise on Style Which Words Should I Change? Check Your Verbs Exercise on Word Choice Use Active Voice Most of the Time Use Passive If Appropriate Exercise on Passive Voice Feel the Words Attend to Tone Use Formal Language What Is Proofreading? Try Reading It Backward Look for Your Typical Errors Chart 3-4 Proofreading Checklist Read the Paper Aloud Find a Friend to Help Sample Student Paper: Final Draft Chapter 4 Researched Writing Using Library Source in Your Writing Conducting Your Research Locating Sources The Online Catalog Indexes and Databases Chart 4-1 Selected Online Indexes and Databases Using the Internet Chart 4-2 Internet Sources for Literature Evaluating Online Sources Reference Works in Print Chart 4-3 Selected Reference Works in Literature Working with Sources Taking Notes The Printout/Photocopy Option Summarizing, Paraphrasing, and Quoting Devising a Working Outline Writing a First Draft Organizing Your Notes Using Quotations and Paraphrases Integrating Sources Quoting from Primary Sources Avoiding Plagiarism Rewriting and Editing Documenting Your Sources Revising the Draft Chart 4-4 Checklist for Revising and Editing Researched Writing Formatting Your Paper Sample Documented Student Paper Explanation of the MLA Documentation Style In-Text Citations Preparing the List of Works Cited Sample Entries for a List of Works Cited Citing Electronic Sources PART TWO Writing About Short Fiction Chapter 5 How Do I Read Short Fiction? Notice the Structure Subplots Consider Point of View and Setting Study the Characters Foils Look for Specialized Literary Techniques Examine the Title Investigate the Author?s Life and Times Continue Questioning to Discover Theme Chart 5-1 Critical Questions for Reading the Short Story Chapter 6 Writing About Structure What Is Structure? How Do I Discover Structure Looking at Structure Tim O?Brien, ?The Things They Carried? Prewriting Finding Patterns Writing Grouping Details Relating Details to Theme Ideas for Writing Ideas for Responsive Writing Ideas for Critical Writing Ideas for Researched Writing Rewriting Integrating Quotations Gracefully Exercise on Integrating Quotations Chapter 7 Writing About Imagery and Symbolism What Are Images? What Are Symbols? Archetypal Symbols Phallic and Yonic Symbols How Will I Recognize Symbols? Reference Works on Symbols Looking at Images and Symbols Shirley Jackson, ?The Lottery? Prewriting Interpreting Symbols Writing Producing a Workable Thesis Exercise on Thesis Statements Ideas for Writing Ideas for Responsive Writing Ideas for Critical Writing Ideas for Researched Writing Rewriting Sharpening the Introduction Sample Student Paper: Second and Final Drafts Chapter 8 Writing About Point of View What Is Point of View? Describing Point of View Looking at Point of View Alice Walker, ?Everyday Use? Prewriting Analyzing Point of View Writing Relating Point of View to Theme Ideas for Writing Ideas for Responsive Writing Ideas for Critical Writing Ideas for Researched Writing Rewriting Sharpening the Conclusion Chapter 9 Writing About Setting and Atmosphere What Are Setting and Atmosphere? Looking at Setting and Atmosphere Tobias Wolff, ?Hunters in the Snow? Prewriting Prewriting Exercise Writing Discovering an Organization Ideas for Writing Ideas for Responsive Writing Ideas for Critical Writing Ideas for Researched Writing Rewriting: Organization and Style Checking Your Organization Improving the Style: Balanced Sentences Sentence Modeling Exercise Chapter 10 Writing About Theme What Is Theme? Looking at Theme Flannery O'Connor, ?Good Country People? Prewriting Figuring Out Theme Stating the Theme Writing Choosing Supporting Details Ideas for Writing Ideas for Responsive Writing Ideas for Critical Writing For Further Reading and Research Rewriting Achieving Coherence Checking for Coherence Editing: Improving Connections Repeat Words and Synonyms Try Parallel Structure Casebook: Joyce Carol Oates?s ?Where Are You Going, Where Have You Been?? Joyce Carol Oates (1938- ) ?Where Are You Going, Where Have You Been?? The Story?s Origins Five Critical Interpretations Topics for Discussion and Writing Idea for Researched Writing Anthology of Short Fiction Nathaniel Hawthorne (1804-1864) ?The Birthmark? Edgar Allan Poe (1809-1849) ?The Cask of Amontillado? Kate Chopin (1851-1904) ?D¿sir¿e?s Baby? ?The Story of an Hour? Edith Wharton (1862-1937) ?Roman Fever? Sherwood Anderson (1876-1941) ?Hands? D. H. Lawrence (1885-1930) ?The Rocking-Horse Winner? Katherine Anne Porter (1890-1980) ?The Grave? Zora Neale Hurston (1891-1960) ?Spunk? William Faulkner (1897-1962) ?A Rose for Emily? Ernest Hemingway (1899-1961) ?Hills Like White Elephants? John Steinbeck (1902-1968) ?The Chrysanthemums? Richard Wright (1908-1960) ?The Man Who Was Almost a Man? Tillie Olsen (1913- ) ?I Stand Here Ironing? Hisaye Yamamoto (1921- ) ?Seventeen Syllables? Flannery O?Connor (1925-1964) ?A Good Man Is Hard to Find? Alice Munro (1931- ) ?An Ounce of Cure? John Updike (1932- ) ?A & P? Bessie Head (1937-1986) ?Life? Raymond Carver (1938-1988) ?What We Talk about When We Talk about Love? Toni Cade Bambara (1939-1995) ?The Lesson? Bharati Mukherjee (1940- ) ?A Father? Octavia E. Butler (1947-2006) ?Speech Sounds? T. Coraghessan Boyle (1948- ) ?The Love of My Life? Dagoberto Gilb (1950- ) ?Love in L. A.? Sandra Cisneros (1954- ) ?Geraldo No Name? Louise Erdrich (1954- ) ?The Red Convertible ? Ha Jin (1956- ) ?The Bridegroom? Sherman Alexie (1966- ) ?This Is What It Means to Say Phoenix, Arizona? A Portfolio of Humorous Stories James Thurber (1894-1961) ?The Catbird Seat? Frank O?Connor (1903-1966) ?My Oedipus Complex? Eudora Welty (1909-2001) ?Why I Live at the P. O.? Michael Gerber (1969- ) and Jonathan Schwarz (1969- ) ?What We Talk About When We Talk About Doughnuts? PART THREE Writing About Poetry Chapter 11 How Do I Read Poetry? Get the Literal Meaning First: Paraphrase Make Associations for Meaning Chart 11-1 Critical Questions for Reading Poetry Chapter 12 Writing About Persona and Tone Who Is Speaking? What Is Tone? Recognizing Verbal Irony Describing Tone Looking at Persona and Tone Theodore Roethke, ?My Papa?s Waltz? Thomas Hardy, ?The Ruined Maid? W. H. Auden, ?The Unknown Citizen? Edmund Waller, ?Go, Lovely Rose? Dorothy Parker, ?One Perfect Rose? Prewriting Asking Questions About the Speaker in ?My Papa's Waltz? Devising a Thesis Describing the Tone in ?The Ruined Maid? Discovering a Thesis Describing the Tone in ?The Unknown Citizen? Discovering a Thesis Discovering Tone in ?Go, Lovely Rose? Discovering Tone in ?One Perfect Rose? Writing Explicating and Analyzing Ideas for Writing Ideas for Responsive Writing Ideas for Critical Writing Ideas for Researched Writing Editing Quoting Poetry in Essays Sample Student Response: Poetry Analyzing the Student Response Chapter 13 Writing About Poetic Language What Do the Words Suggest? Connotation and Denotation Figures of Speech Metaphor and Simile Personification Imagery Symbol Paradox Oxymoron Looking at Poetic Language Walt Whitman, ?A Noiseless Patient Spider? William Shakespeare, ?Shall I Compare Thee to a Summer?s Day?? Kay Ryan, ?Turtle? Hayden Carruth, ?In the Long Hall? Donald Hall, ?My Son My Executioner? Prewriting Examining Poetic Language Writing Comparing and Contrasting Ideas for Writing Ideas for Responsive Writing Ideas for Critical Writing Ideas for Researched Writing Rewriting: Style Choosing Vivid, Descriptive Terms Finding Lively Words Exercise on Diction Sample Student Paper: Second and Final Drafts Comparison Exercise Topics for Discussion and Writing Ideas for Further Researched Writing Chapter 14 Writing About Poetic Form What Are the Forms of Poetry? Rhythm and Rhyme Alliteration, Assonance, and Consonance Exercise on Poetic Form Chart 14-1 Rhythm and Meter in Poetry Stanzas: Closed and Open Form Poetic Syntax Looking at the Forms of Poetry Gwendolyn Brooks, ?We Real Cool? A. E. Housman, ?Eight O?Clock? E. E. Cummings, ?anyone lived in a pretty how town? Wole Soyinka, ?Telephone Conversation? William Wordsworth, ?Nuns Fret Not? Billy Collins, ?Sonnet? Alan Ziegler, ?Love at First Sight? Roger McGough, ?40---Love? Prewriting Experimenting with Poetic Forms Writing Relating Form to Meaning Ideas for Writing Ideas for Expressive Writing Ideas for Critical Writing Ideas for Researched Writing Rewriting: Style Finding the Exact Word Exercises on Diction Sample Published Essay on Poetic Form: David Huddle, ?The ?Banked Fire? of Robert Hayden?s ?Those Winter Sundays?? Casebook: The Poetry and Prose of Langston Hughes Langston Hughes: A Brief Biography Poetry ?The Negro Speaks of Rivers? ?Mother to Son? ?The Weary Blues? ?Saturday Night? ?Trumpet Player? ?Harlem (A Dream Deferred)? ?Theme for English B? Considering the Poems Prose ?Salvation? ?On the Road? ?Thank You, M?am? Considering the Prose Critical Commentaries Onwuchekwa Jemie, ?Hughes and the Black Controversy? Margaret Larkin, ?A Poet for the People? Richard Wright, ?Forerunner and Ambassador? Karen Jackson Ford, ?Do Right to Write Right: Langston Hughes?s Aesthetics of Simplicity? Peter Townsend, ?Jazz and Langston Hughes?s Poetry? Langston Hughes, ?Harlem Rent Parties? Ideas for Writing About Langston Hughes Ideas for Researched Writing Anthology of Poetry Thomas Wyatt (1503-1542) ?They Flee from Me? William Shakespeare (1564-1616) ?When in Disgrace with Fortune and Men?s Eyes? ?Let Me Not to the Marriage of True Minds? ?That Time of Year Thou Mayst in Me Behold? ?My Mistress? Eyes Are Nothing Like the Sun? John Donne (1572-1631) ?Death, Be Not Proud? William Blake (1757-1827) ?The Lamb? ?The Tyger? ?The Sick Rose? ?London? William Wordsworth (1770-1850) ?The World Is Too Much with Us? George Gordon, Lord Byron (1788-1824) ?She Walks in Beauty? Percy Bysshe Shelley (1792-1822) ?Ozymandias? John Keats (1795-1821) ?On First Looking into Chapman?s Homer? ?Ode on a Grecian Urn? Alfred, Lord Tennyson (1809-1892) ?The Eagle? Walt Whitman (1819-1892) ?When I Heard the Learn?d Astronomer? ?One?s-Self I Sing? Matthew Arnold (1822-1888) ?Dover Beach? Emily Dickinson (1830-1886) ?Faith Is a Fine Invention? ?I?m Nobody! Who Are You?? ?Safe in Their Alabaster Chambers? ?He Put the Belt Around My Life? ?Much Madness Is Divinest Sense? ?Because I Could Not Stop for Death? ?Some Keep the Sabbath Going to Church? Gerard Manley Hopkins (1844-1889) ?Pied Beauty? ?Spring and Fall? A. E. Housman (1859-1936) ?To an Athlete Dying Young? ?Loveliest of Trees? William Butler Yeats (1865-1939) ?The Second Coming? Paul Laurence Dunbar (1872-1906) ?We Wear the Mask? Robert Frost (1874-1963) ?Mending Wall? ?Birches? ? ?Out, Out??? ?Fire and Ice? ?Design? Don Marquis (1878-1937) ?the lesson of the moth? Carl Sandburg (1878-1967) ?Fog? ?Chicago? Wallace Stevens (1879-1955) ?The Emperor of Ice Cream? William Carlos Williams (1883-1963) ?Danse Russe? ?The Red Wheelbarrow? D. H. Lawrence (1885-1930) ?Piano? T. S. Eliot (1888-1965) ?The Love Song of J. Alfred Prufrock? Claude McKay (1890-1948) ?America? Edna St. Vincent Millay (1892-1950) ?Oh, Oh, You Will Be Sorry for That Word? ?First Fig? E. E. Cummings (1894-1962) ?in Just- ? ?pity this busy monster,manunkind? Jean Toomer (1894-1967) ?Reapers? Stevie Smith (1902-1971) ?Not Waving but Drowning? Countee Cullen (1903-1946) ?Incident? Pablo Neruda (1904-1973) ?Sweetness, Always? W. H. Auden (1907-1973) ?Funeral Blues? Theodore Roethke (1908-1963) ?Dolor? ?I Knew a Woman? Elizabeth Bishop (1911-1979) ?One Art? May Sarton (1912-1995) ?AIDS? Karl Shapiro (1913-2000) ?Auto Wreck? Octavio Paz (1914-1998) ?The Street? Dudley Randall (1914-2000) ?To the Mercy Killers? Dylan Thomas (1914-1953) ?The Force That Through the Green Fuse Drives the Flower? ?Do Not Go Gentle into That Good Night? Gwendolyn Brooks (1917- 2000) ?Sadie and Maud? ?The Bean Eaters? Howard Nemerov (1920-1991) ?The Goose Fish? Richard Wilbur (1921- ) ?Love Calls Us to the Things of This World? Philip Larkin (1922-1985) ?Home Is So Sad? James Dickey (1923-1997) ?The Leap? Lisel Mueller (1924- ) ?Things? Maxine Kumin (1925- ) ?Woodchucks? Allen Ginsberg (1926-1997) ?A Supermarket in California? James Wright (1927-1980) ?Autumn Begins in Martins Ferry, Ohio? Anne Sexton (1928-1974) ?You All Know the Story of the Other Woman? Adrienne Rich (1929- ) ?Aunt Jennifer's Tigers? Ruth Fainlight (1931- ) ?Flower Feet? Sylvia Plath (1932-1963) ?Mirror? John Updike (1932- ) ?Ex-Basketball Player? Linda Pastan (1932- ) ?Ethics? ?Marks? Imamu Amiri Baraka (1934- ) ?Biography? Audre Lorde (1934-1992) ?Hanging Fire? Marge Piercy (1936- ) ?The Woman in the Ordinary? Seamus Heaney (1939- ) ?Digging? Sharon Olds (1942- ) ?Sex Without Love? Nikki Giovanni (1943- ) ?Dreams? Gina Valdes (1943- ) ?My Mother Sews Blouses? Julia Alvarez (1950- ) ?How I Learned to Sweep? Rita Dove (1952- ) ?Daystar? Alberto R¡os (1952- ) ?In Second Grade Miss Lee I Promised Never to Forget You and I Never Did? Jimmy Santiago Baca (1952- ) ?There Are Black? Judith Ortiz Cofer (1952- ) ?Latin Women Pray? Dorianne Laux (1952- ) ?What I Wouldn?t Do? Tony Hoagland (1953- ) ?The Change? Cornelius Eady (1954- ) ?The Supremes? Louise Erdrich (1954- ) ?Indian Boarding School: The Runaways? Mart¡n Espada (1957- ) ?Liberating a Pillar of Tortillas? Paired Poems for Comparison Christopher Marlowe (1564-1593) ?The Passionate Shepherd to His Love? Sir Walter Raleigh (1552?-1618) ?The Nymph?s Reply to the Shepherd? Robert Browning (1812-1889) ?My Last Duchess? Gabriel Spera (1966- ) ?My Ex-Husband? Thomas Hardy (1840-1928) ?The Convergence of the Twain? David R. Slavitt (1935- ) ?Titanic? Edwin Arlington Robinson (1869-1935) ?Richard Cory? Paul Simon (1942- ) ?Richard Cory? Robert Frost (1874-1963) ?The Road Not Taken? Blanche Farley (1937- ) ?The Lover Not Taken? William Stafford (1914-1993) ?Traveling through the Dark? Mary Oliver (1935- ) ?The Black Snake? Robert Hayden (1913-1980) ?Those Winter Sundays? Yusef Komunyakaa (1947- ) ?My Father?s Love Letters? A Portfolio of War Poetry Richard Lovelace (1618-1657) ?To Lucasta, on Going to the Wars? Thomas Hardy (1840-1928) ?Channel Firing? Stephen Crane (1871-1900) ?War Is Kind? Carl Sandburg (1878-1967) ?Grass? Wilfred Owen (1893-1918) ?Dulce et Decorum Est? E. E. Cummings (1894-1962) ?next to of course god america i? Randall Jarrell (1914-1965) ?The Death of the Ball Turret Gunner? Wislawa Szymborska (1923- ) ?End and Beginning? Yusef Komunyakaa (1947- ) ?Facing It? Billy Collins (1941- ) ?The Names? Ideas for Discussion and Writing Ideas for Researched Writing A Portfolio of Love Poetry Sappho (ca. 612-ca. 580 B.C.) ?With His Venom? Anonymous (ca. 1500) ?Western Wind? John Donne (1572-1631) ?A Valediction: Forbidding Mourning? Anne Bradstreet (1612-1672) ?To My Dear and Loving Husband? Andrew Marvell (1621-1678) ?To His Coy Mistress? Emily Dickinson (1830-1886) ?Wild Nights?Wild Nights!? Edna St. Vincent Millay (1892-1950) ?What Lips My Lips Have Kissed? W. H. Auden (1907-1973) ?Lullaby? Adrienne Rich (1929- ) ?Living in Sin? Sharon Olds (1942- ) ?Topography? Christopher Murray (1967- ) ?I Got Beat Up a Lot in High School? Ideas for Discussion and Writing Ideas for Researched Writing The Art of Poetry: Art Insert Lisel Mueller (1924- ) ?American Literature? Edward Hopper (1882-1967), Nighthawks, 1942 Samuel Yellen (1906-1983) ?Nighthawks? Susan Ludvigson (1942- ) ?Inventing My Parents? Peter Brueghel the Elder (c. 1525-1569), Landscape with the Fall of Icarus, c. 1554-55 Dannie Abse (1923- ) ?Brueghel in Naples? W. H. Auden (1907-1973) ?Mus¿e des Beaux Arts? Paul C¿zanne (1839-1906), Leda and the Swan, c. 1880-82. Leda and the Swan, 1996 street sculpture (steel, neon, laser beam), Hotel Estrel, Berlin William Butler Yeats (1965-1939) ?Leda and the Swan? Mona Van Duyn (1921- ) ?Leda? Vincent Van Gogh (1853-1890), The Starry Night, 1889. Anne Sexton (1928-1974) ?The Starry Night? Kitagawa Utamaro (1754-1806), Two Women Dressing Their Hair, 1794-95 Cathy Song (1952- ) ?Beauty and Sadness? PART FOUR Writing About Drama Chapter 15 How Do I Read a Play? Listen to the Lines Visualize the Scene Envision the Action Drama on Film Chart 15-1 Critical Questions for Reading Plays Chapter 16 Writing About Dramatic Structure What Is Dramatic Structure? Looking at Dramatic Structure Sophocles, Antigone Prewriting Analyzing Dramatic Structure Writing Discovering a Workable Argumentative Thesis Quoting from a Play Ideas for Writing Ideas for Responsive Writing Ideas for Critical Writing Ideas for Researched Writing Rewriting Avoiding Unclear Language Sample Student Paper of Drama Questions for Discussion Chapter 17 Writing About Character What Is the Modern Hero? The Classical Tragic Hero The Modern Tragic Hero Looking at the Modern Hero August Wilson, Fences Prewriting Analyzing the Characters Writing Choosing a Structure Ideas for Writing Ideas for Responsive Writing Ideas for Critical Writing Ideas for Researched Writing Rewriting Developing Paragraphs Specifically Exercise on Providing Quotations Casebook Fences: Interpreting Troy Maxson Six Critical Interpretations Frank Rich, ?Family Ties in Wilson?s Fences? Brent Staples, ?Fences: No Barrier to Emotion? August Wilson, ?Talking About Fences? Christine Birdwell, ?Death as a Fastball on the Outside Corner? Carla J. McDonough, ?August Wilson: Performing Black Masculinity? Mary Ellen Snodgrass, ?Fences? Responding to the Critics Idea for Researched Writing Chapter 18 Writing About Culture What Is Cultural Analysis? Looking at Cultural Issues David Henry Hwang, M. Butterfly Prewriting Exploring Cultural Themes Figure 18-1 Reading Notes Posing Yourself a Problem Writing Refining Your Thesis Ideas for Writing Ideas for Responsive Writing Ideas for Critical Writing Ideas for Research Writing Rewriting Coordinating Your Introduction and Conclusion Sample Documented Student Paper Using Cultural Analysis Anthology of Drama Sophocles (ca. 496-ca. 405 B.C.) Oedipus the King William Shakespeare (1564-1616) Othello, the Moor of Venice Henrik Ibsen (1828-1906) A Doll's House Susan Glaspell (1882-1948) Trifles Luis Valdez (1940- ) Los Vendidos David Ives (1950- ) Sure Thing Wendy Wasserstein (1950-2006) Tender Offer Harvey Fierstein (1954- ) On Tidy Endings Milcha Sanchez-Scott (1955- ) The Cuban Swimmer PART FIVE The Editing Process A Handbook for Correcting Errors Proofreading Correcting Sentence Boundary Errors Phrases and Clauses Chart A Examples of Phrases and Clauses Fragments Chart B Kinds of Phrases Chart C Kinds of Clauses Comma Splices Run-On Sentences Clearing Up Confused Sentences Solving Faulty Predication Problems Fixing Subject-Verb Agreement Errors Fixing Pronoun Errors Correcting Shifts in Person Correcting Shifts in Tense Finding Modifier Mistakes Coping with Irregular Verb Setting Verbs Right Writing in Active Voice Solving Punctuation Problems Using Necessary Commas Only Using Apostrophes Distinguishing Hyphens from Dashes Integrating Quotations Gracefully Punctuating Quoted Material Writing Smooth Transitions Catching Careless Mistakes Appendix: Critical Approaches for Interpreting Literature Formalism Historical Approaches Biographical Cultural Marxist Psychological Approaches Mythological and Archetypal Approaches Gender Focus Reader Response Deconstruction Where Do You Stand? Glossary of Literary and Rhetorical Terms Credits Index of Authors, Titles, and First Lines of Poetry Subject Index

Library of Congress Subject Headings for this publication:

College readers.
English language -- Rhetoric -- Problems, exercises, etc.
Report writing -- Problems, exercises, etc.
Literature -- Collections.